This is a lookup page, not a lesson. If you already know how the wheel works, jump to the table you need: the full chart to go from a code to its key, the converter to go from a key name to its code, or the compatibility reference to see what mixes with any code. New to harmonic mixing? Start with the Camelot Wheel explained, then come back here to look things up.
How to read a Camelot code: the number is the position on the wheel, like an hour on a clock. The letter is the mood: A is minor (darker), B is major (brighter). Each number pairs a minor key with its relative major, so 8A (A minor) and 8B (C major) sit on the same slice.
The full Camelot wheel chart (code to key)
| Code | Musical key | Code | Musical key |
|---|---|---|---|
| 1A | Ab minor (G# minor) | 1B | B major |
| 2A | Eb minor (D# minor) | 2B | F# major (Gb major) |
| 3A | Bb minor (A# minor) | 3B | Db major (C# major) |
| 4A | F minor | 4B | Ab major (G# major) |
| 5A | C minor | 5B | Eb major (D# major) |
| 6A | G minor | 6B | Bb major (A# major) |
| 7A | D minor | 7B | F major |
| 8A | A minor | 8B | C major |
| 9A | E minor | 9B | G major |
| 10A | B minor | 10B | D major |
| 11A | F# minor (Gb minor) | 11B | A major |
| 12A | Db minor (C# minor) | 12B | E major |
Key-to-Camelot converter (key name to code)
Find a key by name and read off its Camelot code. Both common spellings of the black-note keys are listed so any search term lands here.
Minor keys (A codes)
| Musical key | Camelot code |
|---|---|
| A minor | 8A |
| A# minor / Bb minor | 3A |
| B minor | 10A |
| C minor | 5A |
| C# minor / Db minor | 12A |
| D minor | 7A |
| D# minor / Eb minor | 2A |
| E minor | 9A |
| F minor | 4A |
| F# minor / Gb minor | 11A |
| G minor | 6A |
| G# minor / Ab minor | 1A |
Major keys (B codes)
| Musical key | Camelot code |
|---|---|
| A major | 11B |
| A# major / Bb major | 6B |
| B major | 1B |
| C major | 8B |
| C# major / Db major | 3B |
| D major | 10B |
| D# major / Eb major | 5B |
| E major | 12B |
| F major | 7B |
| F# major / Gb major | 2B |
| G major | 9B |
| G# major / Ab major | 4B |
Compatible moves, the reference
The three safe moves keep you in key. The energy moves stay musically related but shift the room, so use them on purpose, not by accident.
| Move | From 8A | What it does |
|---|---|---|
| Same code | 8A | Same key, guaranteed blend. Best for long, seamless transitions. |
| One number down, same letter (-1) | 7A | Down a perfect fifth. Classic harmonic step, sounds natural. |
| One number up, same letter (+1) | 9A | Up a perfect fifth. The other classic step, equally safe. |
| Flip the letter, same number | 8B | Relative major or minor. Changes mood without clashing. |
| Energy boost (+2, same letter) | 10A | Up a whole tone. A clear lift without leaving the family. |
| Semitone up (+7, same letter) | 3A | Up one semitone. A bold, dramatic energy jump. |
| Semitone down (-7, same letter) | 1A | Down one semitone. Cools the room or adds tension. |
Why the odd numbers work: each step around the wheel is a perfect fifth, so +2 lands a whole tone up, and +7 (or -7) lands exactly one semitone up (or down). That is the "bump the key up a semitone" trick, written as a wheel move.
Compatible codes for every key
From a minor key (A codes)
| Code | Key | Same | -1 | +1 | Flip | +2 boost | +7 up | -7 down |
|---|---|---|---|---|---|---|---|---|
| 1A | Ab minor | 1A | 12A | 2A | 1B | 3A | 8A | 6A |
| 2A | Eb minor | 2A | 1A | 3A | 2B | 4A | 9A | 7A |
| 3A | Bb minor | 3A | 2A | 4A | 3B | 5A | 10A | 8A |
| 4A | F minor | 4A | 3A | 5A | 4B | 6A | 11A | 9A |
| 5A | C minor | 5A | 4A | 6A | 5B | 7A | 12A | 10A |
| 6A | G minor | 6A | 5A | 7A | 6B | 8A | 1A | 11A |
| 7A | D minor | 7A | 6A | 8A | 7B | 9A | 2A | 12A |
| 8A | A minor | 8A | 7A | 9A | 8B | 10A | 3A | 1A |
| 9A | E minor | 9A | 8A | 10A | 9B | 11A | 4A | 2A |
| 10A | B minor | 10A | 9A | 11A | 10B | 12A | 5A | 3A |
| 11A | F# minor | 11A | 10A | 12A | 11B | 1A | 6A | 4A |
| 12A | Db minor | 12A | 11A | 1A | 12B | 2A | 7A | 5A |
From a major key (B codes)
| Code | Key | Same | -1 | +1 | Flip | +2 boost | +7 up | -7 down |
|---|---|---|---|---|---|---|---|---|
| 1B | B major | 1B | 12B | 2B | 1A | 3B | 8B | 6B |
| 2B | F# major | 2B | 1B | 3B | 2A | 4B | 9B | 7B |
| 3B | Db major | 3B | 2B | 4B | 3A | 5B | 10B | 8B |
| 4B | Ab major | 4B | 3B | 5B | 4A | 6B | 11B | 9B |
| 5B | Eb major | 5B | 4B | 6B | 5A | 7B | 12B | 10B |
| 6B | Bb major | 6B | 5B | 7B | 6A | 8B | 1B | 11B |
| 7B | F major | 7B | 6B | 8B | 7A | 9B | 2B | 12B |
| 8B | C major | 8B | 7B | 9B | 8A | 10B | 3B | 1B |
| 9B | G major | 9B | 8B | 10B | 9A | 11B | 4B | 2B |
| 10B | D major | 10B | 9B | 11B | 10A | 12B | 5B | 3B |
| 11B | A major | 11B | 10B | 12B | 11A | 1B | 6B | 4B |
| 12B | E major | 12B | 11B | 1B | 12A | 2B | 7B | 5B |
Where the codes come from
A Camelot code is only as good as the key reading behind it. If a track is tagged with the wrong key, its "safe" moves will not sound safe. Cratefox reads the real key and BPM from the audio itself, not from whatever a download or a store metadata field claims, and writes the correct Camelot code into every file. On the GiantSteps benchmark it is Camelot-exact on 75.7% of tracks and safe to mix on 86.4%, measured and reproducible rather than asserted. See how the numbers are measured and why key detection goes wrong before you trust any tag, from any tool.
Camelot Wheel Chart: Common Questions
What key is 8A on the Camelot wheel?
8A is A minor. Its relative major is 8B, which is C major. The tracks that mix safely with 8A are 8A itself, 7A (D minor), 9A (E minor), and 8B (C major). For an energy lift, 10A (B minor) moves up a whole tone and 3A (Bb minor) jumps up a semitone.
What is F minor in Camelot?
F minor is 4A. To find any other key, use the converter above: read down the key-name column and take the code next to it. F# minor is 11A, C major is 8B, and so on. Both spellings of the black-note keys, such as Bb minor and A# minor, point to the same code.
What mixes with 8A?
Stay on 8A for a seamless blend, step to 7A or 9A for a natural harmonic move, or flip to 8B to shift from minor to major on the same slice. To move energy while staying in the family, go to 10A for a whole-tone boost, 3A for a bolder semitone lift, or 1A to drop a semitone and cool things down.